Houseboat

Inwood’s Forgotten Houseboat Colonies

Ship Wheel

During the 1920’s and 30’s an intrepid group of amphibious New Yorkers thumbed their noses at urban living, and high city rents, and took to dwelling in houseboat colonies along the perimeter of the Island of Manhattan. Two of those colonies, consisting of a ragtag group of artists, electricians and even police officers, were right [...]

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Down and Out on a Dyckman Street Barge

Texas Guinan

“Today, Isobel and Margaret have only memories, but with ambition undimmed.  They exist in poverty on a discarded and rotting river barge.  It wouldn’t even float were it not jammed in the mud of stagnant Sherman Creek, near the Dyckman Street landing in New York.” (San Jose News, August 8, 1928)   As the summer [...]

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Inwood Arts Pioneer: Aimee Le Prince Voorhees

Inwood Pottery Works

  In the early part of the twentieth century a pioneering woman named Aimee Le Prince Voorhees and her husband Harry built a pottery works in the shadow of Inwood hill. In this pastoral setting, lacking any modern conveniences, Voorhees created a world-class pottery studio and inspired a future generation of artists, ceramicists and sculptors. [...]

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A Potter’s Lament

Inwood Pottery

“There were other trees, many decrepit. In the middle was a kiln where an Indian princess taught ceramics under dubious auspices. She had a son who didn’t work. Both were on relief, and the relief checks were delivered to the princess at a mailbox fastened to a tree. The hullabaloo about disturbing the princess, the [...]

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Inwood Hill in the 1920′s

Inwood Hill boat colony 1904

There is a turn of the century photo of a small boathouse on the water’s edge in what is now Inwood Hill Park.  The boathouse, run by “Pop” Seeley, supported a houseboat colony far from the noise and bustle of downtown.  It would be many years before these house-boaters, artists and assorted eccentrics were given [...]

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Inwood During the Great Depression

Inwood in the Great Depression, NYC

One of the most important if not enduring images of the Great Depression is Dorothea Lange’s haunting portrait of a migrant worker cradling her two young children. Her eyes tell a personal story of quiet desperation, while the photo itself serves as a tragic commentary on a country in the throes of economic devastation so [...]

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